(SPOILER)
io9 predicts Dollhouse will be Joss's greatest work ever.
Well, his greatest work yet. Nice to see something other than the doom and gloom we've been hearing so far.
November 13 2008
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And I agree with him on the starting points. BtVS and Friefly both were concepts that could easily be screwed up and made truly horrid in the wrong hands. Even Fred Silverman, Dick Ebersole, or William Castle would have trouble messing up Dollhouse.
I'm reminded of the other comemtns i ehard once about this being Joss's "most accesible" idea; no demons and vampires and magic, no high school metaphors, no spacehsips and alien planets, and no wEstern themes. Just the everyday world with a single and somewhat limited s-f- idea thrown into it. Of course, The Six-Million Dollar Man, Wonder Woman, The Incredible Hulk also fit that category, so the track record has its sahre of quality potholes.. (Okay, I k now , unfair, 70s-80s marketing philosophy required fantasy shows to be restricted to single narrow concept in an otherwise ordinary world. Nowadays it's different.)
Macho chauvinist wiseguy comment: Which is the hotter look, the round-necked low-cut sleeveless top with the black slacks and bare feet, or the pointy-necked sleeveless low-cut top with the black slacks and bare feet? (Which gives me a Buffy moment flashback; in the Buffyverse Faith and Cordelia were about the only women who weren't in the SLippers-or-Socks-Around-the-House CLub.)
More seriously even if it's still sexist; ELiza has really matured in a gorgeous way. I guess there's nobody from the old gang who could play a teenager anymore now.
DaddyCatALSO | November 13, 02:22 CET
I don't agree, though, that Firefly had a shaky premise. Hard-to-sell, no doubt, but I think the premise and the execution were both great.
Jobo | November 13, 02:36 CET
I've become pretty zen about Dollhouse now. Even if we assume it gets cancelled and even if executives have messed too much with certain aspects, we're still about to get 13 episodes of Joss's work which he is really excited about.
(I reckon the round-necked top, and I don't think commenting on beautiful girls is sexist).
Let Down | November 13, 02:38 CET
Let Down | November 13, 02:40 CET
Jobo | November 13, 02:43 CET
The One True b!X | November 13, 02:45 CET
The doom and gloom, at least, is based in fact and historical precedence.
crossoverman | November 13, 02:54 CET
UnpluggedCrazy | November 13, 02:59 CET
kishi | November 13, 03:09 CET
With that said, I'd really like to see a few episodes before I go too crazy.
Eric_Curtis | November 13, 03:11 CET
Septimus | November 13, 03:12 CET
TamaraC | November 13, 03:21 CET
alittledarkcorner | November 13, 03:22 CET
Aviva | November 13, 03:55 CET
What I'm expecting is that...feeling only Joss has evoked. It's a feeling I can't describe, but it's one I got from Buffy, and it's the one I hoped I get from Firefly when I wondered if Joss could do it again.
There are shows with good characters, dialogue, stories, etc, but aside from all of that, with a Joss show, there's that *feeling*.
Anybody else get what I'm saying, or am I crazy?
[ edited by pat32082 on 2008-11-13 04:17 ]
pat32082 | November 13, 04:12 CET
Seriously, though, I'd argue the opposite of this article . . . Joss's premises have always been good; it's his execution which has improved. It took Buffy a good thirteen episodes to find its feet; Angel got there faster; and Firefly hit the ground running.
(I do think Dollhouse has a more mainstream premise, in some ways--but I'd differentiate between a strong premise and a mainstream one. Often they're opposites.)
All the same, nice to see the positive.
erendis | November 13, 04:15 CET
I would also have to agree that “strong premise” and “mainstream” are not exactly synonymous. Take for example the original Starwars plot. Yes the concept is generally taken for granted now, but can you image what a hard sell that one was. “Ah, yeah. It’s the story of this kid who hangs out with two robots while he meets up with this old guy and space pirate in the first third of the movie. Then eventually he rescues a princess-type chick, with cinnamon bun hair from a star station. Once he’s done doing that, he meets up with his arch nemesis, whom we’d also like to mention wears a black suit and cape, and talks like he’s speaking through a permanent walking respirator helmet-thingy. Finally our hero will manage to blow the “Death Star” up in his little pea-shooting spacecraft.” Mainstream it became. Strong premise? I think not. But what a film series it went on to become.
That being said, naysayers be damned. I’m excited for Dollhouse. Failure or fanciful flight, it’s sure to be one hell of a ride.
[ edited by Buffy_Nerd on 2008-11-13 05:00 ]
Rebekah | November 13, 04:58 CET
NYPinTA | November 13, 05:07 CET
That would be her point, as Charlie Jane Anders is female.
zeitgeist | November 13, 07:12 CET
link:
Simon | November 13, 08:25 CET
cabri | November 13, 08:39 CET
The One True b!X | November 13, 08:44 CET
dollrific | November 13, 09:00 CET
Harridan | November 13, 09:36 CET
Sometimes it's good to be reminded that Fox is not the only network with a cancel button.
jpr | November 13, 10:03 CET
And if Dollhouse is indeed Joss's masterwork (which I don't necessarily believe--I think BtVS, one of the best TV shows ever, is my idea of his masterwork--how terrible will I feel when the show (most likely) gets canceled? I almost want it to hate the show on initial contact, to make the potential loss much less painful. I really am not looking forward to another Firefly-like experience.
[ edited by dottikin on 2008-11-13 10:34 ]
dottikin | November 13, 10:34 CET
But Sons of Anarchy and Sanctuary both got renewed so I'm happy and confirmed in my belief that cable is the place to look for the next good shows.
jpr | November 13, 10:47 CET
FOX just has the rep of being cancellation-happy b/c they tend to air innovative, interesting shows that viewers miss when they're canned.
In fairness, they also have a tendency to cancel shows quite quickly too (i.e. 'Drive' 4 episodes, 'Kitchen Confidential' 3 episodes IIRC etc.) though whether it's quicker than other networks or not is hard to say. And clearly it's a business thing, I doubt many of us believe Fox is actually out to get fans of Joss Whedon but whether a show you love is cancelled for sound business reasons or not, it's still cancelled.
Will 'Dollhouse' be Joss' greatest work ever ? On the one hand, it should be his technically best work because as others have said, that's something that improves with experience. On the other, it's a strange alchemy this TV business, even more than films IMO because, unlike films, you have to keep doing it, week in week out. I hope so of course (and that if it is, it lasts) but it's surely hard to say without seeing it first.
Saje | November 13, 10:54 CET
There is a lot of truth in this as well as the Fox Quick-Draw McGraw attitute, in earlier threads it's been pointed out that Fox could try to solve the problem by reverting to a miniseries/cable mindset, announce their new Sci-fi Fridays as the 'Try it you might like it' timeslot for 13 eps shows with solid conclusions. Then the cancellation issue is minimized and those shows that become actual Nielsen hits could be renewed and moved to more favourable timeslots. I realize that it goes agains the grain of the business but it's a way to get back some of the viewers/customers trust that they sometimes seems to squander quite freely and 13 eps would make for good and profitable dvds as well.
I'm in the Buffy will be hard to beat club but if Dollhouse would be even better than BtVS, yay tv magic.
[ edited by jpr on 2008-11-13 11:45 ]
jpr | November 13, 11:18 CET
Shey | November 13, 11:26 CET
gossi | November 13, 13:01 CET
Dana5140 | November 13, 13:17 CET
Btw, how does the demise of Prison Break help Dollhouse?
Let Down | November 13, 13:21 CET
Let Down - makes Fox want/need another show to succeed? Creates less scheduling pressure?
gossi | November 13, 13:22 CET
Let Down | November 13, 16:00 CET
Rikardo | November 13, 16:01 CET
Also, for me a show couldn't be quite as good as Buffy unless it was as funny (as well as dramatic, etc., etc.), which I have the impression Dollhouse isn't going to be. Of course, since I'm spoiler-averse, that impression is based on very little, so maybe I'm wrong.
jcs | November 13, 16:45 CET
Sunfire | November 13, 18:15 CET
When I was younger, my dad subscribed to TV Guide and I would save the Fall Preview issue which featured all the new network shows premiering at the start of each season. I'd check back at the end of the season to see how many shows had actually made it through their first year -- it was usually a bloodbath.
Weirdly, the strike-shortened season last year plus the continual drainage of viewers this year has made the networks less inclined to cancel new shows rather than more. I was very surprised that T:SCC was renewed, and I've been figuring that Chuck was a goner, despite its creative blossoming this year. Has anybody else been watching Chuck? The show has gone from entertaining-with-appealing-performances to flat-out marvelous this season.
dottikin | November 13, 22:14 CET
AMCsoldier | November 14, 00:45 CET
But I do like reading a positive article about Dollhouse for a change!
Hjermsted | November 14, 01:43 CET
Yes, but what if it's not the best thing he's ever made? What then?
Ms. Anders (the article's author) compared Dollhouse to Season 2 of BtVS. I can think of no higher praise than that.
No higher praise? What if she compared it to Season Three or Season Five?
crossoverman | November 14, 02:21 CET
pat32082, I know that *feeling* you get. I get it too. I like to think that if I ever witnessed a true miracle, it would be close to the feeling I get with Whedon. It's as if at first my head tells me that it was real because there's no proof of what I felt, except for my body screaming with vibrations that it was real. I usually end up with a stupid grin on my face because every part of me knows that whatever I just felt, there can be no doubt on where it came from and that I want more.
Which always leads to me wanting others to *feel* that way like I did. And hence the mass-convergence to WoW (World of Whedon).
... if I were religious, I would relate that feeling to that. Sure, it may seem far-fetched, but I believe in self-discovery and the "God within". So for the stars to align and for JUST ONE MOMENT the world connects in understanding and emotion... yeah, religion. Which would make the Black my church & DVDs of the Whedonverse my bibels. (ha, funny.)
Hopefully the road to February is a gentle rolling upward hill with fresh green grass and yellow flowers.
korkster | November 14, 02:50 CET
I would, however, disagree with the idea that Dollhouse is Joss' most original concept - Firefly owed much to Star Wars and Angel to Forever Knight, but there's also plenty of scifi around already exploring the exact same themes as Dollhouse, sometimes with very similar premises (see The Pretender, for example). I'd say that Buffy, with the idea of a blonde cheerleader who instead of getting killed fights back, was the most original of the bunch.
ruuger | November 14, 10:06 CET
korkster: the Problem of Pain and the FOru loves and perhaps the Aboliton of Man might interest you. Just a side comment.
DaddyCatALSO | November 14, 19:44 CET
Little Green Kid | November 14, 22:50 CET
korkster | November 18, 02:03 CET