Interview with 'the man behind the curtain'.
Joss talks with Ellen Gray about various aspects of Dollhouse, from finishing the set 20 minutes before filming began, to reshooting the pilot, to trying to produce the series with all eyes on him and Eliza.
A little shout-out to Whedonesque too. Woot!
August 22 2008
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I get his point about having all of his business spelled out to the world. I wonder why it's harder for him & Eliza... is it because his small band of fans are so vocal & the "not so pretties" are flaunted even before the show starts, which puts some jeopardy on those mainstream folk who might hear the negative buzz?
Oh. Nevermind.
korkster | August 22, 05:08 CET
cabri | August 22, 05:24 CET
Well, she says "it's probably because there's still a segment of Hollywood that values talent and imagination, both of which Whedon's amply demonstrated" so i'd say she appreciates Joss' abilities - maybe she felt that as a professional journalist a bit of distance was appropriate ? A lot of stuff we read on here is by fans (and largely for fans) so the squee will be more apparent.
I get what Joss means about the curtain, for some people (maybe most people) finding out about the process is a bit like learning how a magic trick works, there's a lot of disappointed "Oh, is that it ?"s because it's as banal as any other work when you look at the step-by-step mechanics, less Olympian flame handed down from on high and more hard graft. But it's a feature of the world, like it or not - if modernism was kind of "Look, a curtain !", post-modernism is more "Look, a man behind the curtain !" and post-post-modernism looks like it might be "Curtains ? Pfft." ;).
Personally I like seeing the process, it's fascinating to me, I just don't like seeing the results of the process until i've seen the finished article (i.e. i'm interested in seeing how Joss holds a hammer, I just don't want to see the door until it's fitted to the cabinet. And the hammer is just a hammer BTW ;).
Saje | August 22, 11:54 CET
Septimus | August 22, 12:25 CET
missmuffet | August 22, 14:40 CET
That said - without having seen it yet or read scripts etc. so here comes a worthwhile opinion ;) - 'Dollhouse' feels the most mainstream of all his shows to me, it's got a lot of "mainstream" hooks as well as all the juicy philosophical/metaphysical stuff we're counting on to be there, lurking in the subtext, so maybe this is Joss' attempt to break out of the cult "ghetto" without compromising what he wants to see and write.
And it's worth mentioning that 'Firefly' was and 'Dollhosue' is on Fox, a major network as I understand it. So it's not like he's consciously trying to make "cult TV" (if 'Firefly' was still going now with 15-20 million viewers i'm sure it'd be the same show, except more popular ;) - it's just that previously his shows have appealed to a smaller audience.
Saje | August 22, 15:06 CET
Ariane | August 22, 15:17 CET
I took it to mean they're not people who enjoy the intense public scrutiny of themselves, in contrast to public scrutiny of the shows they air, which is just the way entertainment is.
I doubt that negative buzz about fans reaches most tv viewers. People who chat about scifi shows on the internet, yes. People flipping channels and deciding what to watch, likely no.
Sunfire | August 22, 15:37 CET
That actually sounds like the perfect show for Fox...
I can see what Joss is talking about. He mentions a second pilot and knows everyone will immediately freak out. I'm sure there were some issues with Buffy that were worked out in the beginning that we never knew about and just enjoyed the finished product. Now we're scrutinizing every step they take, when it's not really our job to worry about it. But that's just how things are these days.
hacksaway | August 22, 17:26 CET
So, in this case anyway, leaked scripts -- a look behind the curtain -- have actually helped calm people down from the "freak out".
The One True b!X | August 22, 18:15 CET
God I love those extra's! I've always been interested in behind the scenes of movie and tv making and since the invention of dvd I always buy the version with 2 or more dvd's. I probably will even watch the making of the making of, lol
[ edited by Krusher on 2008-08-22 18:35 ]
Krusher | August 22, 18:34 CET
OneTeV | August 22, 19:13 CET
I do like hearing about all kinds of production processes from crew and cast - but like Saje, after I've watched the Work in Question.
Joss is my favorite "rumpled writer" (hee) - but I have often considered the question of their "living in a fish bowl" and its effects on their lives and creations. It's why when I've been in a position to approach these folks I admire - both at events, and with my non-profit work, and just living in Hollywood, where you accidentally see so many folks you admire - I've mostly tended to leave them alone.
I'm not at all shy, and I've had to restrain myself time and time again (I mean, there was absolutely no one in the drugstore but Bryan Fuller and I, and I was dying to talk to him) but it just seems so intrusive. The few times I've talked to folks, they've been nothing but gracious - Maximilian Schell just seemed pleased that somebody still recognized him - and you do learn to pick up on their approach me/don't approach me vibe...
But after we scared the living crap out of TV's Frank (Conniff) one night in the Gelson's parking lot, I've been really aware that folks in a fishbowl don't need to have you clicking on the glass and trying to get them to move.
Oh... yeah, the topic. I thought this was a well-written piece, and it re-affirmed my inclination to keep my fishbowl peering and poking around behind the curtain to a minimum.
QuoterGal | August 22, 19:44 CET
I'm shure they appreciate you for that :)
Krusher | August 22, 19:52 CET
korkster | August 23, 04:32 CET