Buffy in one word.
John Rogers - a good writer who's worked on some bad movies - gives his one-word summary of Buffy's theme. It might be the opposite of yours.
...or it might be exactly the same as yours, what do I know? His answer is perfect in its way, but as he says, it may say as much about the viewer as the show. I couldn't do a one-word answer I was proud of, but I like Marti Noxon's slightly longer take: Buffy is about the burden of having extraordinary powers that no one else shares - in other words, it's Joss Whedon's creative autobiography. Interesting exercise, maybe?
June 26 2008
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But then I think about it some more, and taking the full cast of characters into account I think something like "change" would be better. Putting it, according to Rogers' description, into the same barrel as Four Weddings and a Funeral.
Gonnas | June 26, 19:25 CET
catherine | June 26, 19:40 CET
"isolation"
or more positively, maybe
"actualisation"
Saje | June 26, 19:43 CET
Giles.
Xander.
Willow.
Simon | June 26, 19:48 CET
Capt. Logic | June 26, 19:49 CET
Sunfire | June 26, 19:50 CET
Nebula1400 | June 26, 19:50 CET
Sunfire | June 26, 19:51 CET
Or , you know, what nebula said while I was posting my response. :-)
[ edited by OzLady on 2008-06-26 16:54 ]
OzLady | June 26, 19:52 CET
nicola | June 26, 20:02 CET
Not by blood but by choice.
RavenU | June 26, 20:04 CET
marvelknight616 | June 26, 20:05 CET
Yorick | June 26, 20:07 CET
Extraordinaire
Metamorphosis
Numfar PTB | June 26, 20:09 CET
QuoterGal | June 26, 20:15 CET
This can especially be seen, I think, in her relationship with the rest of the Scoobies. Sure, she genuinely liked Xander and Willow. Sure, she leaned on Giles for guidance and support. Sure, she loved Angel, and Spike too, I suppose. (Poor Riley. Sniff.) And she needed their help to get through many of her various battles...I've often said to friends that if I had to pick a "pop tune" for Buffy's theme song, I'd have to pull a Wonder Years and choose "With a Little Help from My Friends." But at the end of the day, she shared a burden they didn't share. They could always choose to walk away from trying to save the world. She couldn't; it had been thrust on her. It's part of what attracted her to Angel, and later to Spike, I think--as opposed to Riley and Xander--this idea that they were damned creatures who were nevertheless fighting for personal salvation. She could relate. And it's also part of why she kept running away from her friends, to complete her isolation so that she didn't keep hurting the people she loved.
This is why I really loved the early episodes of Season 7, and the series finale. They said they were going back to the beginning, and they did, hitting Buffy's burden over and over (her "I am the law" speech in "Selfless," her soliloquy to Holden in "Conversations with Dead People). And then Joss found the perfect thematic note on which to end the series, going in one brilliant stroke from "one girl in all the world" to "every girl who could have the power, will have the power." With one big honkin' magic act, Buffy is no longer alone...she has thousands of comrades who are exactly like she is, who can help shoulder her burden. Her solitude is over, and hence, so is her loneliness. Problem solved. End of series.
My reasoning above, by the way, is also why I cannot and will not accept the Season 8 comics as canon, despite what Joss says...or at this point, even read them. Sure, every character's life goes on after their story is told, but Buffy's defining character trait was her ultimate solitude. That means you either have to find a new personal problem for your focus (but can anything be so deep-rooted as the first?) or you have to say, in essence, that the problem wasn't really solved after all (in which case, as far as I'm concerned, the ending of "Chosen" is almost completely devalued). Either way, the solution creates an insurmountable problem for my enjoyment of the original series.
[ETA: While I've been writing this essay, I notice a number of people have posted great one-word answers. I like 'em, especially Saje's selection of "isolation." So I'm now going with that. I'm given to understand that the Constitution of the United States guarantees me the right to describe Buffy the Vampire Slayer with any one word I want to, even if someone else came up with it first. Nyah nyah.]
[ edited by BAFfler on 2008-06-26 17:18 ]
BAFfler | June 26, 20:15 CET
QuoterGal | June 26, 20:17 CET
Nubile.
Misery.
Heartache.
crazygolfa | June 26, 20:18 CET
marvelknight616 | June 26, 20:20 CET
FaithsTruCalling | June 26, 20:24 CET
Numfar PTB | June 26, 20:24 CET
missmuffet | June 26, 20:30 CET
Humor.
More pain.
Pointy | June 26, 20:32 CET
Demons.
[ edited by Lady Brick on 2008-06-26 17:34 ]
Lady Brick | June 26, 20:33 CET
Humor.
More pain.
Schadenfreude?
Simon | June 26, 20:34 CET
But, NO! YOU'RE WRONG!
:P
Also, they need to make another Buffy video game that plays like the original, none of this "Chaos Bleeds" stuff.
FaithsTruCalling | June 26, 20:35 CET
WCityMike | June 26, 20:37 CET
WCityMike | June 26, 20:38 CET
crazygolfa | June 26, 20:38 CET
WCityMike | June 26, 20:38 CET
Numfar PTB | June 26, 20:40 CET
palehorse | June 26, 20:42 CET
daedreams | June 26, 20:43 CET
ps, I love you guys.
MySerenity | June 26, 20:44 CET
"Love" would be my second choice.
Dizzy | June 26, 20:56 CET
Giles:Executive
Willow:Perpetual
Xander:Evolving
Cordelia:Santimonious
Angel:Problematic
menomegirl | June 26, 20:59 CET
deadbessie | June 26, 21:07 CET
jclemens | June 26, 21:15 CET
Gil-Martin | June 26, 21:22 CET
I don't think the show can be reduced to one word but if forced, I like "family" best of the suggestions made here thus far.
Which leads me to one I like a little better. I can't go with "isolation" or its ilk precisely because, as is pointed out again and again on the show, for all that she does indeed have a burden the others don't imposed on her, the thing that makes Buffy different from her predecessors is that she has friends who choose to help her despite not having to. So, my one word is "Choice."
Vague That Up | June 26, 21:33 CET
Septimus | June 26, 21:40 CET
This seems right to me, very viscerally. Yes. Buffy should be Spiderman.
daedreams: Just want to be a pedant and point out that while Buffy is indeed shpadoinkle, Joss did not create the word shpadoinkle. To my knowledge it was created by Trey Parker and Matt Stone, whose Cannibal the Musical (wherein shpadoinkle originates) is one Joss mentioned in some interview sometime as one of the DVDs where you HAVE to watch the commentary. (And you do. It is too hilarious.)
[ edited by Kiba on 2008-06-26 18:54 ]
Kiba | June 26, 21:50 CET
Sunfire | June 26, 21:54 CET
I don't know why, it just sounds right. That or "revelation".
[ edited by Mirage on 2008-06-26 18:56 ]
Mirage | June 26, 21:56 CET
bubblecat | June 26, 22:03 CET
Angel - Redemption (without a doubt :)
Firefly - Little tough. I'd have to go with "Belief" at first blush.
[ edited by JossIzBoss on 2008-06-26 19:30 ]
JossIzBoss | June 26, 22:28 CET
(is that too trivial? It is why I never ever get tired of any of it).
embers | June 26, 22:49 CET
moley75 | June 26, 23:04 CET
waxbanks | June 26, 23:12 CET
The ongoing story doesn't invalidate the powerful message of 'Chosen,' it attempts to deepen it. Remember, had Buffy been cancelled after Season Three, we'd have had very different feelings about the story of Season Four (which I really like, for the record, particularly the hard-to-pin-down Riley Finn).
[ edited by waxbanks on 2008-06-26 20:17 ]
waxbanks | June 26, 23:16 CET
Actualization. Bildungsroman.
Actually, I'll go with the second one more than the first one. And I also like Family. Oh, and Fruity. Or Empowerment.
BandofBuggered | June 26, 23:20 CET
onthedrift | June 26, 23:44 CET
Saje | June 26, 23:49 CET
BAFfler; Hmm, analogy has its weaknesses but let me try one. Put in place of BtVS a more melodramatic version of Romeo and Juliet where they get thru the whole business and manage to end up together, and it is still over-all a good story.
Then say the same writer some years later decides to write a domestic drama about problems with raising children and financial difficulties.
Are you saying you'd always prefer a complteley new set of characters for the second play, rather than re-visiting the first couple and seeing them with new problems.
Or is that the wrong analogy?
Faith's Tru Calling waxbanks
DaddyCatALSO | June 26, 23:51 CET
ENDURE
Because, isn't that what she has always done, through everything? What doesn't kill us, makes us stronger.
[ edited by Tonya J on 2008-06-26 20:55 ]
Tonya J | June 26, 23:53 CET
Mainly because I had no idea that a television show could have such an impact on so many facets of me as a person. And because the show never fails to surprise.
alexreager | June 27, 00:00 CET
That or pie. (Because ultimately, everything is about pie.)
barboo | June 27, 00:36 CET
barboo | June 27, 00:37 CET
okelay | June 27, 00:38 CET
crazygolfa | June 27, 00:44 CET
Yeah, these were my sentiments when I chose the word perseverance. Strength doesn't fully encapsulate this concept for me.
JossIzBoss | June 27, 01:14 CET
April | June 27, 02:07 CET
menomegirl | June 27, 02:16 CET
Early season 6, UPN definitely brought in some really good Buffy promos.
Numfar PTB | June 27, 02:38 CET
"...everybody feels alone. Everybody is. Until you die."
I always viewed that last look of Buffy's in that episode, as Holden explodes into dust, as a physical expression of the sinking feeling that maybe Holden had a point. Maybe she always would be alone. (I mean, after all, she just dusted the one person she'd really opened up to since, oh, Tara in late Season 6.) Because of that, I saw the typically Jossian "change the rules" twist in "Chosen" as a triumphant rejection of both Buffy's original problem and its underlying philosophy. It seemed to say, whatever your problems are, you don't have to be alone; you just have to find a way to do something about it. That cut through the original premise of the series beautifully, Gordian-knot style.
I've tried the Season 8 comics. I have the first seven or eight issues. But they didn't grab me, because I got the sense of peeking past the back cover. Buffy's biggest character desire was satisfied at the close of the series, which satisfied me -- and so, for me at least, the story is over and I can't move on to further adventures. Conversely, I think Angel can benefit from an additional run, and I've enjoyed "After the Fall" a great deal more, precisely because the message of that show was "The fight never ends" -- which seems naturally to lead into a continuation of the story. (You seem to be in a different place on both stories, which is fine...I'm not criticizing you or anything...I'm just not with you, and I never will be.)
DaddyCatALSO: While I've got no issues with bringing back old characters for a new story in some instances, I do in others. I have no particular desire, for example, to pick up "Scarlett" and see whether Scarlett O'Hara really does find that "tomorrow is another day," nor do I think the world would benefit from a second film following Rick Blaine's fight against the Nazis after he lets Ilsa get on the plane with Laszlo. They had their big crisis, they made their great point, and any continuation would be superfluous.
There's a difference, in my mind, between bona-fide heroes like these and, say, Kevin Smith's Dante and Randall--with whose second outing I was both eminently satisfied (from a character perspective) and really grossed out (from a personal perspective). As I consider Buffy Anne Summers to be a genuine mythical hero, and a pop culture icon, I'm more inclined to place her with Scarlett and Rick than Dante and Randall. So my answer is, I guess, "It's certainly the wrong analogy for me."
[ETA: FaithsTruCalling...umm, thanks?]
[ edited by BAFfler on 2008-06-26 23:58 ]
BAFfler | June 27, 02:54 CET
I'm sure if Brazzaville had ever been filmed, it would have been agood movie, but you're right, it would *seem like* a bad movie because the aMerican and the Frenchman in it were Rick and Louis.
And I don't regard Scarlett as being about the same people, so I disregard it completely *g.
And I do have to wonder sometimes exactly why I'm buying the comics. Not that I'm not enjoying them,b ut what else am I getting out of them?
Which isn't to say my own take on the characters is the same as yours. Otherwise I wouldn't be writing fanfics about them as 45-year-olds with teenage children.
DaddyCatALSO | June 27, 03:33 CET
Hah! *wipes eyes.*
I'm still laughing from that, barboo - which hasn't killed me, but I guess it's left me in a weakened condition.
QuoterGal | June 27, 03:33 CET
Craig Oxbrow | June 27, 04:11 CET
Buffy has always been about the brave. Making not the popular choices, or the cheap. Killing Angel to save the world, standing up for a witch that almost killed your sister, siding with a vampire to save the world, telling your mom that you're THE Slayer, taking on self-perpetuating toenails and Thanksgiving dinner...on and on it goes.
I'm going with Brave.
[ edited by Willowy on 2008-06-27 04:38 ]
Willowy | June 27, 07:37 CET
"Pointy"
jgsugden | June 27, 08:45 CET
No.
Willowy | June 27, 09:11 CET
Milligan | June 27, 09:40 CET
No, sorry, that's Seinfeld.
theonetruebix | June 27, 09:45 CET
Therefore, my word is: Shanshu.
ManEnoughToAdmitIt | June 27, 10:08 CET
1. Awakening
2.Becoming (not gonna second guess the Master)
3.Slipping
4.Recovering
5.Evolving (no one said it was easy)
6.Overwhelmed
7.Discovery
Shey | June 27, 12:24 CET
[ edited by toast on 2008-06-27 10:32 ]
toast | June 27, 13:30 CET
Shey | June 27, 14:30 CET
The original idea is to have one word that's the focus as it's being written, one word where, if you're in doubt, you think of that word and it brings you back on track. I'm not a writer but I suspect 'everything' isn't going to be much help in that regard ;).
Saje | June 27, 14:52 CET
toast | June 27, 15:00 CET
I do get what you mean though toast and I think it's because Buffy is essentially a rites of passage story - maybe the best and most complete one ever told on TV - and the journey towards adulthood is filled with pretty much every experience going (as far as life learning curves go that's probably the steepest point that a person is actually conscious of i.e. isn't a baby). By the time we get to 'Angel' the characters are already adults and have experienced quite a lot of what life has in store for them, it's not so much about discovering who you are (Angel, for instance, pretty much knows who he is but has an epiphany when he realises what the world is like) it's more about knowing who you are and living with it anyway ;).
[ edited by Saje on 2008-06-27 12:30 ]
Saje | June 27, 15:27 CET
One of the amazing things about it, though,to me is that despite being such a complete rites-of-passage story, it has so many points of reference beyond the youthful characters..like the issues about power and stuff.... which makes it speak to much older viewers with more than nostalgic effect.
[ edited by toast on 2008-06-27 13:08 ]
toast | June 27, 16:07 CET
But the things you learn while growing up are the sort of lessons you apply time and again as an adult (in theory ;) so, apart from nearly everyone being able to identify with the high-school/adolescent experience, the things Buffy goes through still apply, even later.
The endings tell the tale for me (i'll exclude the comics for now cos we don't know how they end yet). BtVS ends on a broadly upbeat note with a whole world there for the discovering (just like adolescence). Ats on the other hand ends with, on the face of it, death (just like adulthood).
Saje | June 27, 16:26 CET
toast | June 27, 16:36 CET
Saje | June 27, 17:05 CET
toast | June 27, 17:09 CET
(turn-around-touch-the-ground-bagsy-the-last-word-times-infinity. No take-backs)
Saje | June 27, 17:14 CET
Numfar PTB | June 27, 17:36 CET
(also, Numfar, dude, I totally said "times infinity" ;-)
Saje | June 27, 18:53 CET
toast | June 27, 19:05 CET
DaddyCatALSO | June 27, 19:13 CET
Anarchy that's where we're heading, anarchy I tells ya.
Saje | June 27, 19:30 CET
Sunfire | June 27, 19:32 CET
toast | June 27, 19:33 CET
In fact, it's mainly time's fault really, with its insistence on moving forwards. Bloody time.
Saje | June 27, 19:38 CET
Oh, I know this ritual. The ancient shamans were next called upon to do the hokey-pokey and turn themselves around.
Vague That Up | June 27, 19:43 CET
"Responsibility" for BtVS, because that is what it is all about. Whether as a metaphor for growing up or not, Buffy is handed a job that only she can do, and the entire series is built around how she accepts that burden or rejects it, how well she does at it or how she fails, and what the cost is to her of having that role. Yeah, her friends are there to help along the way, but ultimately she's been handed the ring of power, and she's the one who has to carry it to Mount Doom, whatever the personal cost to herself.
I found Firefly much harder to come up with a singular definition, in part I think because unlike the other two shows it isn't focussed on a single character. The other two may have ensemble casts, but the structure of each series is built on the titular character. Firefly, however much Mal may be the driving force, is built around all the characters. I finally came up with "Searchers." Interested in any comments on that.
barboo | June 27, 19:56 CET
barboo | June 27, 19:57 CET
My word: JOURNEY
And, just to fill black & make me feel better, I'll tell you why.
1) Yes, Buffy is a right-of-passage story on one level. She goes through several stages of her life that shape & mold her as she grows. She experiences family, friends, school, graduation, poverty, sacrifice, love, lust, isolation, fear, death, connectedness, betrayal, leadership, and acceptance.
2) We, the audience, also go through the journey. Week by week, we experienced something new and something we could relate to. Our past troubles and happy times were converted to metaphors. We grew with Buffy as her unofficial companions on her trek through the verse. We loved and cried with her. It was like the best road trip ever.
3) More importantly (well, to me anyway), is not necessarily the "right-of-passage" that Buffy deals with on a daily basis, but HOW she deals with it. You could relate to what I'm talking about by picking up your standard high school issue of Heart of Darkness. All there is is the journey, but not necessarily the physical, but the mental & emotional trek the character (hero) plays on his decisions as he descends into the darkest depths of his "soul". I feel Buffy goes through the Hero's Cycle very well, from being cast out of the realm of Innocense with the burden of her "Chosen"ness, and how she tackles (or attempts to) each situation from within to discover new depths of her persona. She's not just pure and fluffy, but dark and twisted. Not only can she be cold and stone, but warm and beautifully connected. It's not the loss and grief that's momentus to me; it's how she deals with that grief. That's why I love Buffy.
And, to sum it up and allow people to skim and still get the jist of my black rant, here's 2 quotes loosely remembered:
"If nothing we do in this world matters, then all that matters is what we do." -Angel
"It's not the destination that matters, but the journey itself." -Uh, let's say me! Copying someone smarter than me. :)
korkster | June 27, 19:59 CET
Aha, so that's what it does during power cuts, always wondered what that pressy thing on front of the case was for ;).
I think a single 'Firefly' word is harder from the writery point of view but i'd maybe sum it up with "autonomy" (or "freedom" but that's possibly too broad). A big part of it is about being trapped too but I can't think of one single word that covers it (Inara, Mal, Simon, River and probably Book are all trapped in some way I reckon).
Saje | June 27, 20:22 CET
Sunfire | June 27, 20:28 CET
Saje | June 27, 20:29 CET
Irony and puns, that's really why I am a Buffy fan. It's all about the entertaining death and the quip that follows.
Sunfire | June 27, 20:32 CET
toast | June 27, 20:45 CET
htom | June 27, 20:47 CET
I think maybe a better word is "helping," because that's what Angel gained from that stretch of episodes, which I would argue is the most pivotal run in the series...where it really discovered what it was about for the first time. Darla's death had made him lose hope in redemption, and Holland's superb monologue had made him realize there wouldn't be any final victory, so to speak. It was only after his trip to the "home office" that he was able to focus on fighting the good fight just because it mattered. Notice that even though he continued to lose his way, he was never again so lost, and he always continued to try and help people...just because. (Well, okay, until that whole killed-the-Circle thing, but let's face it, it was a great moment to go out on...and as for the consequences, wasn't L.A. already in hell?)
BAFfler | June 28, 03:35 CET
tehabwa | June 28, 04:00 CET