A Marxist reading of Firefly.
This is now the 15th political ideology associated with the show.
I think it's great that so many people can see so many different things in the show.
September 29 2007
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DaddyCatALSO | September 29, 01:05 CET
And the British Understatement Society's annual award in the Field of Popular Culture goes to...
BAFfler | September 29, 01:09 CET
Craig Oxbrow | September 29, 02:59 CET
The relationship between Mal and Inara reflects the struggle within Marxist thought over "sex work." Marx said, “Prostitution is only a specific expression of the general prostitution of the laborer.” (Thanks, Interweb.) Many Marxists think sex work is not necessarily more degrading than other jobs. That seems to be the overall tone of Firefly, in which Inara has an occasional bad customer, but basically does better than most laborers. "Heart of Gold" shows women who act like they really enjoy their customers, well, except when they try to steal their babies. This contrasts with Mal, who sees prostitution as demeaning, at least when Inara does it.
Suzie | September 29, 03:07 CET
Nebula1400 | September 29, 04:16 CET
kishi | September 29, 08:58 CET
Snugels | September 29, 10:32 CET
WryBread | September 29, 12:00 CET
Really? Greek, not the German?
dreamlogic | September 29, 12:56 CET
Umm, apart from all the other representations of class in sci-fi. 'War of the Worlds' (book), 'Bladerunner' (and in fact, most of PK Dick's stuff), '1984', 'Babylon 5', Iain Banks' sci-fi novels (especially books featuring the Culture - which is pretty much a Communist/Anarchist utopia), Allen Steele's 'Rude Astronaut' series (featuring a bunch of working Joe's, often set against a company that has pretty wanton disregard for their safety), the Alien films (probably especially Alien 3) - hell, even 'Armageddon' is basically "ordinary working people save the world, despite the US government's stuck up incompetence". Class actually crops up a surprising amount in sci-fi given how US led the genre is (though it's fair to say the 'verse has one of the better thought out "class" systems - and short as the series was Joss also had more time than most films/books do to explore it).
And I always thought the reason 'Star Trek' didn't represent a class struggle was because it was already over in that universe. Trek (especially the later incarnations) is a fairly close rendering of a working Communist society (thanks to the post-scarcity scenario allowed by replicators - the "workers" controlling the means of production writ large, surely ?).
Interesting essay, not sure how well read the author is in the genre though. Sci-fi is more than Trek, 'Star Wars' and 'Firefly'.
Saje | September 29, 15:37 CET
newcj | September 29, 15:58 CET
jcs | September 29, 20:10 CET
Simon | September 30, 01:05 CET
Or a kabillion.
Saje | September 30, 04:18 CET
I've said this before years back, but one of the most interesting aspects of the whole Browncoat phenomenon is it's appeal to political types of both right and left and how it was praised by political bloggers who probably not only disagreed about just about everything, but probably hated each other with a vengeance, with a slight rightward edge, probably because of the space cowboy thing.
Kind of appropriate given that, while Joss is very definitely an activist left-liberal, Tim Minear was reportedly just as much a right-conservative.
bobster | September 30, 04:56 CET
Which is one of the many reasons someone can look at a show like Firefly and see Marxist roots. This particular analysis seemed a little nitpicky but, hey. *shrug*
[ edited by Ryan-RB on 2007-09-30 02:55 ]
[ edited by Ryan-RB on 2007-09-30 02:55 ]
Ryan-RB | September 30, 05:54 CET
Shouldn't that be GEEK city-state?
sorry ... I'll go now
tehabwa | October 04, 03:58 CET