(SPOILER)
Joss Whedon directs 'The Office'.
Hilarious NBC promo video featuring Joss talking about his directing intermingled with some clips from the episode.
February 11 2007
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snakebyte | February 11, 13:56 CET
Caroline | February 11, 14:10 CET
Let's hope the rest of the episode lives up to the excellent calibre of this brilliant third season.
crossoverman | February 11, 14:28 CET
flugufrelsarinn | February 11, 14:29 CET
The original is basically perfection, yes - but the U.S. version is hilarious in its own way. It doesn't try for realism in exactly the same way, but most of the time I find it as insightful.
It's only these occasional moments of slapstick and silliness that really separate the two in my mind.
crossoverman | February 11, 14:33 CET
Personally, I love them both. The US version is stylistically different after the first 6 episodes, but I think it really comes into it's own. The characters are lovable, hateful, scary and/or insane, the show hits the funny mark consistently every episode at the moment - what's not to love?
I hope Joss' episode attracts a bigger audience. They need it right now. I shall throw things at Universal if they cancel this.
gossi | February 11, 16:04 CET
urkonn | February 11, 16:31 CET
nixygirl | February 11, 16:42 CET
Can't wait to see this episode on Friday.
MichaelH | February 11, 16:43 CET
RampaLemy | February 11, 16:49 CET
OzLady | February 11, 16:50 CET
sueworld2003 | February 11, 17:00 CET
TV Execs: Is there ANYTHING they can't screw up?
zz9 | February 11, 17:10 CET
CaptainB | February 11, 18:27 CET
Hahaha, oh man, I would pay good money to see that.
numbereleven | February 11, 18:27 CET
madmolly | February 11, 18:46 CET
VaderDawsn | February 11, 18:59 CET
(some shippers put the 'fan' back into 'fanatic' which is why particular preferences or the discussion of whose 'ship is best/most romantic etc. is, err, strongly discouraged on here ;)
Really gonna have to check out the US office. It does seem a bit different but then the object isn't to be the same as the UK version, just as funny as it, so different is fine.
Saje | February 11, 19:14 CET
Shippers are the fans that support a particular relationship. Traditional Buffy shippers in the Whedonverse have been B/A (Buffy/Angel shippers) and B/S (Buffy/Spike shippers). They are also known as Bangel and Spuffy.
April | February 11, 19:18 CET
Lioness | February 11, 19:44 CET
Tonya J | February 11, 19:45 CET
MySerenity | February 11, 19:48 CET
I also loved Joss in his Veronica Mars season 3-looking tee over long sleeved shirt.
dreamlogic | February 11, 20:08 CET
"Slightly off topic: In the papers here yesterday it was reported that when they greenlit the original UK version of the office they said they liked the idea but they didn't want Ricky Gervaise to be in it.
TV Execs: Is there ANYTHING they can't screw up?"
Actually, I think I may have preferred it that way, I really cannot stand Ricky Gervais, and credit him with a large amount of the fact that I just don't find the British Office funny at all. Puzzles me how he's made a career in comedy when I just do not find him funny in the slightest. Love the U.S. version though, currently one of the best comedies on TV.
Ghost Spike | February 11, 20:17 CET
ETA - hey, doesn't Life on Mars Series Two start in a couple of days?
zeitgeist | February 11, 20:20 CET
Ghost Spike | February 11, 20:29 CET
zeitgeist | February 11, 20:31 CET
Yeah, this coming Thursday. :D
Jobo | February 11, 20:31 CET
sporter | February 11, 21:30 CET
(not seen the US 'Coupling' but then I couldn't even watch the UK one after Jeff left - bit of a purist. Is it true they didn't change the script at all for the remake ? Sounds like a recipe for disaster)
Saje | February 11, 21:35 CET
electricspacegirl | February 11, 21:57 CET
MICHAEL GOES TO BUSINESS SCHOOL WITH RYAN - Ryan (B.J. Novak) invites Michael (Golden Globe winner Steve Carell) to be a guest speaker at his business school. Meanwhile, Dwight battles a bat that gets loose in the office while Pam (Jenna Fischer) invites co-workers to her first art show. Rainn Wilson, John Krasinski, Melora Hardin, Leslie David Baker, Brian Baumgartner, Kate Flannery, Angela Kinsey, Oscar Nunez, Phyllis Smith, Paul Lieberstein, and Mindy Kaling also star.
Brian Lynch | February 11, 22:51 CET
ProphecyGirl16 | February 11, 22:53 CET
batmarlowe | February 11, 23:51 CET
Tonya J | February 12, 00:01 CET
lycoming | February 12, 00:33 CET
futile | February 12, 01:36 CET
themayor | February 12, 03:36 CET
onthedrift | February 12, 03:59 CET
Which is why I love both - for different reasons.
crossoverman | February 12, 04:09 CET
Caroline | February 12, 04:12 CET
Yes.
La Job is the best!
Actually, I've only seen it once, but it distinguishes itself from the other incarnations by having quite a lot of foul language.
ON-topic then, kinda funny to see promotional material touting a director where said director says that you shouldn't be able to tell that he directed it.
DK | February 12, 04:30 CET
jcs | February 12, 04:30 CET
Nebula1400 | February 12, 04:34 CET
jcs | February 12, 04:37 CET
fortunateizzi | February 12, 04:50 CET
Also, I'm with Caroline. Saying one Office is better than the other is justthisclose to 'shipping. I'm just sayin'. They both have great qualities, and yay for
My MasterJah SwedenJoss for directing this upcoming US Office ep! :-)[ edited by billz on 2007-02-12 02:56 ]
billz | February 12, 04:54 CET
ON-topic then, kinda funny to see promotional material touting a director where said director says that you shouldn't be able to tell that he directed it.
Well, that's definitely true for a show like "The Office" - which should look like a documentary about an office. I suppose these big name directors are good for advertising - and for the actually day to day work - but I don't really want this one to stand out. Which is why I love the bat in-joke :-)
crossoverman | February 12, 05:25 CET
keysersoze | February 12, 06:04 CET
But there's no way that device works after certain events in Season 2 (and maybe major ones in Season 1, can't remember). The cameras wouldn't be granted waivers in that many non-Dunder-Mifflin areas that the employees travel to and characters admit things to the documentarians that're way too personal/revealing. So you pretty much have to accept those direct-to-the-camera scenes as sort of in-their-head confessionals or...something. I dunno. Am I making any sort of sense?
[ edited by Kris on 2007-02-12 05:26 ]
Kris | February 12, 07:23 CET
Sort of. And I think the producers' justification is that this "documentary" hasn't yet aired for the characters to see, so their personal revelations aren't yet that relevant to other people in the office. I think that would be a wonderful finale, though - a few years down the track.
crossoverman | February 12, 07:34 CET
Harmalicious | February 12, 08:12 CET
I think they got it right in the American version when they let the writing evolve the show into its own self and didn't try to copy the Brit one. It became a whole 'nother thing, and to my mind, a thing of joy. The acting is just as ace as the British version. I look forward to Joss's episode, and love that it's got a bat & vampire talk.
Oh, gods, Saje, and yes zeitgeist, that thing that was the brief-but-painful American Coupling was a disaster to behold. I think I may have watched two? episodes, and they were, I think, word-for-word, or close, to the British one.
But golly gee whillikers, the direction was appalling, the casting and acting were both bad, the characters felt indistinguishable from one another, they had no discernible chemistry with one another - in fact, no relationship to one another - and there was a laugh track. The dialogue that worked in the British version did not, for whatever reasons, work in the American one.
I thought it was unwatchable.
QuoterGal | February 12, 11:55 CET
That's a compliment, btw. I love rockstars. :)
[ edited by themayor on 2007-02-12 11:24 ]
themayor | February 12, 13:14 CET
Yeah they do but in fairness that's much easier to achieve over only 12 episodes plus specials. In the Christmas specials of the UK version (and possibly the second series, can't remember) the characters have also seen themselves in the earlier episodes so you have a kind of feedback effect (especially with Brent who tries to play on his 'fame' to hilarious effect).
Watched the first few US episodes last night and thought it was pretty good. As you'd expect the losers weren't quite as loser-ish (Jim especially is a bit less of an obviously apathetic waster than Tim) but a lot of the cringeworthy 'humour of embarrassment' survived and after the pilot it started to develop its own feel (in the pilot the guy playing Jim was basically channeling Martin Freeman, even down to his facial expressions). Dwight is a great character too, bit of a nastier edge than Gareth with less pathos but in some ways that makes him easier to laugh at (and though all the leads are excellent, Jenna Fischer is just brilliant at showing us tiny slivers of this incredibly bright, vivacious, funny woman bubbling away beneath the put upon, verbally abused exterior).
The only potential issue I could see was the whole premise being dragged out for too long, especially Pam/Jim. Pam mentions her artistic ambitions briefly but the problem is that eventually they're both going to start to seem like real plonkers for staying in jobs they so clearly hate. You can only ride the apathy excuse for so long before sympathy starts to dry up IMO.
Saje | February 12, 16:22 CET
batmarlowe | February 12, 18:10 CET
"Pam mentions her artistic ambitions briefly but the problem is that eventually they're both going to start to seem like real plonkers for staying in jobs they so clearly hate. You can only ride the apathy excuse for so long before sympathy starts to dry up IMO."
Sadly true to life though, y'know? Much as people probably hate to admit it, I bet a good number of folks here even are in situations like that. I know I'm dead sick of one of my three part time jobs, the one I've had the longest (three years). And yet I stay, partly because the extra bit of cash helps, partly because I haven't figured out how to exit gracefully yet and with enough goodwill from my boss that I could still use her for a reference.
It might eventually feel dragged out, the apathy of the more full-of-life-and-potential personalities on The Office, but at the same time the show's been great at revealing the sadness in people like that (and in Steve Carell's character, Michael Scott, much as he annoys the shit outta me).
Kris | February 13, 10:51 CET
I guess i'm saying I want it to be ultimately uplifting in the way the UK one was (gotta say, i'd be surprised if the US show was more downbeat than the UK one) where, yes, you saw the sadness of people who maybe feel things haven't gone the way they wanted in their lives but you also saw their resilience and ultimate triumph. The longer Pam and Jim stay in their dead-end jobs the harder that's gonna be to swing IMO (there's a danger you'll stop rooting for them and start being annoyed by them and also that if/when they actually take the leap - presumably at/near the end of the show - you'll be thinking "About bloody time you silly sods" rather than "Yes ! You go girl !").
Course, i've only just started watching it so, typically, i'm becoming disillusioned by the end before I even reach the middle ;). Hopefully in the actual doing of it they find a way to keep it fresh.
Saje | February 13, 13:41 CET
Kris | February 13, 15:25 CET