(SPOILER)
The Futon Critic review new seasons pilots.
They will review the pilot of every new show for 2006-2007 Season. Gina Torres' "Standoff", Leonard Roberts' "Heroes" and Carlos Jacott's "Studio 60 on the Sunset Strip" have all been reviewed.
I'll update this threrd with direct links to upcoming reviews as they come in.
June 15 2006
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Dhoffryn | June 15, 03:13 CET
April | June 15, 03:19 CET
gossi | June 15, 03:24 CET
YellowBear | June 15, 03:32 CET
Reunion: The premise sounded excellent, but before the first episode ended I already knew I wouldn't catch it next week. To be frank it was pretty boring and somewhat stupid.
Head Cases: I really only tuned because Rachael Leigh Cook was supposed to star and when I was convinced that she wasn't in it anymore I stopped watching. Never even got though the pilot.
Sex, Lies, & Secrets: By the time I tracked the first episode down it was already canceled. Sort of generic, and it would probably have become even more so as time went by but interesting as long it lasted.
Surface: I just didn't clash with this. It just felt to amateurish in its construct. Two episodes in and I was out.
How I Met Your Mother: I'm not really a sitcom guy. Sure, for a sitcom it was great, I loved the episodes I saw but in the end sitcoms just don't manage to keep me interested.
Ghost Whisperer: Started out sort of promising but it turned into a poor man's Tru Calling almost immidietly. Regurgitating the same plot line over and over again only works for so long.
Supernatural: Great pilot. Really freaking great pilot. And then all the momentum for it just faded away. The greatness of the pilot kept me coming back for longer than it actually deserved but just like Ghost Whisperer it kept reusing the same plot structure over and over again.
Kitchen Confidential: Well, they canceled it before I could decide whether I liked it or not. Being I 30 minute comedy I probably would have left it behind anyway eventually. But it was really good for a while there.
The Night Stalker: Another canceled show. Kinda generic but still kinda interesting and it kept me coming back until its cancelation.
Bones: Essentially a good procedural, and David and Emily had excellent chemistry, but ultimately it was a procedural and I don't really care about those.
Threshold: Interesting at first but was getting sort of sameish over and over again. Could have turned out either way if it had been kept around, but was canceled instead.
Invasion: I loved this show. I really did. Then came the episode "A Fish Story" or something like that. And that broke the number one deadly sin of TV shows which is "don't ever be stupid". And I don't mean a little stupid, I mean rampaging "I'm not gonna call for help when I'm mortally wounded" stupid. I had trouble getting back into the show after that. Might still watch it since it's still very interesting structalized but maybe I wont. Haven't decided yet.
Prison Break: Great show, but after the failed escape attempt I had problems motivating myself to continue watching. It seems like they'll be able to do that forever and I don't wanna take part in that if that's the case. Still haven't finished watching it yet.
So, I went in with 13 shows and got out with 0. Ain't that sad. Sure, there's still Lost, Veronica Mars, Battlestar Galactica and The 4400 and I've now realised the greatness of Everwood which I'm trying to catch up with (despite its cancelation) so it's not like there's nothing to watch, but none of the new arrivals stayed alive throughout the season unharmed, even though atleast Prison Break make a return appearence eventually. And I find this kinda sad.
This new season so far I've only found 3 shows that sounds interesting enough to give a chance: Heroes, The Nine and Traveler. And I maybe will give Friday Night Lights a chance if my head gets a serious tilt or something. Wonder how many shows that will survive this time around.
Oh dear, that was one long post (filled with spelling mistakes I'm sure) that no one cares the slightest about. I blame the fact that I'm really tired.
Djungelurban | June 15, 04:27 CET
Like so many others, I'm bored by the "story of the week" or the recycled plots. Can we say House? So many redeeming qualities but how many times can they beat the clock solving the mysterious illness? If Heroes can suck me in, I'll be just so so so happy.
Can we trade schedules Djungleurban? :)
April | June 15, 04:41 CET
YellowBear | June 15, 05:12 CET
Brian Lynch | June 15, 06:11 CET
wakeupandbang | June 15, 06:38 CET
escapist_dream | June 15, 07:33 CET
electricspacegirl | June 15, 07:58 CET
escapist_dream | June 15, 05:33 CET
I'll assume that this label was attached for two reasons: one, that "backstage" movies or series, since they are set in the world of the people making them (kind of like filming into a mirror...sorta...), always get hit with the "too inside" label as kind of a knee-jerk reaction (they said the same thing about "Sports Night," etc.), and, two, there seems to be an assumption that Joe Average (as opposed to "Average Joe," of which I'd rather not speak) has undoubtedly interacted with doctors and possibly with lawyers (God help you if you have!), but that it's far rarer for a person to have familiarity with the day-to-day work of an actor or writer. Which I find an ever more silly assumption, given the exposure that audiences get to the world of Hollywood production through magazines, "Entertainment Tonight"-type shows, EPKs that become "Making of" bits on HBO or DVD extras, etc.
I absolutely believe that America is wise to what goes on behind the scenes, so there is no "too inside" here. Hell, my aunt is in her 80s, and she chatted with me about the possibility that Kellie Pickler on "American Idol" was absolutely faking the "dumb blonde" thing, or at least milking it to death. But, hey, what're ya gonna do? Snakes on a plane. /reference to other post ;)
swanland | June 15, 12:31 CET
jpr | June 15, 12:42 CET
gossi | June 15, 13:32 CET
But "Studio 60 on the Sunset Strip" is at the top of my must see list, I haven't been this interested in a show since Doctor Who came back to the telly.
Simon | June 15, 13:42 CET
[ edited by gossi on 2006-06-15 11:45 ]
gossi | June 15, 13:45 CET
I also quite like the sound of 'Standoff' despite the average review (and the daft name change). It's a different take on a cop show and for that reason alone would be worth me checking out but then there's Gina. Plus, Ron 'Office Space' Livingstone (i'm gonna suggest right now that if and when the show ends it's cos he quits with "I, uh, don't really like my job. I don't think i'm gonna go anymore" ;).
And i'm going to give 'Studio 60' a chance since even if the subject doesn't interest me too much it's a great cast and creator.
Also, much as I love 'House' and much as i've defended its formulaic plots, even i'm starting to wish they'd play with the format just a little more often (or maybe just a little less subtly). That said, if I have to watch 23 formulaic 'cure of the week' episodes - with all the fantastic writing and acting that entails, oh, the hardship ;) - for one episode like 'Three Stories' or 'No Reason' (the excellent season 2 finale) then i'll make that bargain gladly.
Saje | June 15, 13:51 CET
It's easily my favourite non-cable series on television - because "The West Wing" is finished and "Studio 60" hasn't started yet ;-)
crossoverman | June 15, 17:03 CET
[ edited by bivith on 2006-06-15 15:12 ]
bivith | June 15, 17:12 CET
zeitgeist | June 15, 17:55 CET
In fact, it's because the 'outside the box' episodes are so good that i'd really like to see more of them.
One of the things I really like about 'House' is the writers' awareness of their own formula and willingness to poke fun at it. I can't remember the episode title but in Season 2 there was an ep. where House proposes a solution early on and Cameron says something like "Yeah, that fits the facts, that must be it". House goes into a mini-rant about how they have the 'wrong shoes' for that to be the correct diagnosis since they're not wearing their after work bowling shoes. Of course, what he's really saying is, "No, it's only the middle of act 2, so clearly this isn't the answer. We know it, you the viewers know it and we know you know" (or rather the writers are saying it through him).
Or the kind of playfulness about who's actually going to be the victim at the start of each episode which seems to openly admit to the audience "Yeah, we follow a set pattern but hey, let's not take it too seriously, let's have a laugh together over it".
(and then you also get the gems which step outside the format e.g. 'No Reason' where suspense is built not only over the diagnosis but over the validity of the main character's entire world view. Just brilliant.)
Saje | June 15, 18:24 CET
House, like most formulaic shows I've found, is that they're good solid viewing but never seem to top a favourite list of mine. Maybe it's because they lack that originality that I crave (and that Buffy did so well to sate for a while). It's still a lot better than most stuff on tee vee these days and is a good boredom cure. :)
[ edited by escapist_dream on 2006-06-16 01:56 ]
escapist_dream | June 15, 18:24 CET
I'm curious about Heroes, but I pretty much want to see the first eps to see how they handle it. It could be great, or a big disappointment, but I guess that's true of everything in life! ;-)
billz | June 15, 19:46 CET
Tycho | June 15, 20:36 CET
zeitgeist | June 15, 21:29 CET
Probably won't be picking up any new shows this year, 'cept on DVD. Play the wait-and-see game with this new batch while catching up on stuff I've either missed entirely or am in the midst of (I'd really like to have done with Oz for instance, which it feels like I've been watching for a decade. The sixth and final season's DVDs are finally on the way).
Kris | June 15, 21:55 CET
YellowBear | June 16, 06:12 CET