"Studio 60 on the Sunset Strip" trailer up.
Aaron Sorkin's new show, premiering this Autumn. This aired with the finale of the West Wing in the US last night. Whedon cohorts Sarah Paulson (Serenity) and Carlos Jacott (Angel, Buffy, Firefly) feature in the cast.
May 15 2006
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weetabix | May 15, 20:04 CET
gossi | May 15, 20:11 CET
But I'm a little underwhelmed by the trailer. Sorkin's genius can't really be captured in really short soundbites, you need the back and forth. I want more! =)
jam2 | May 15, 20:26 CET
Caroline | May 15, 21:25 CET
Is Sport's Night any good, Dad's got the DVDs and I've been tempted to watch them.
Ghost Spike | May 15, 21:38 CET
jam2 | May 15, 21:51 CET
Ghost Spike | May 15, 21:57 CET
the Groosalugg | May 15, 22:16 CET
Danica | May 15, 22:30 CET
I'm with you, Caroline. The trailer was the only thing that perked me up as the clock ticked away on the episode. I am looking forward to the new show, as I love Sorkin's writing, and a few of my favorite actors are involved, as well.
palehorse | May 15, 22:46 CET
Oh and rumour has it that Veronica Mars got renewed for 13 episodes.
Simon | May 15, 22:53 CET
Agreed. I'd also watch Bradley Whitford talking about paint drying. And yeah, Aaron Sorkin was at the inauguration. The camera was on him for about 3 seconds.
Samantha | May 15, 22:58 CET
"Oh and rumour has it that Veronica Mars got renewed for 13 episodes."
That a renewal with a potential to add a back 9 should they want to (like the last season of Angel), or is the season just going to be 13 episodes long?
Ghost Spike | May 15, 23:04 CET
Paul_Rocks | May 15, 23:59 CET
*(keeping my fingers crossed on VM!)*
acp | May 16, 00:32 CET
I have just discovered it (through 2 seasons on TV, and then buying the DVD - I am now in mid season 3). It's a shame if it ends now (well, I still have a couple of seasons to discover, but anyhow...).
Le Comité | May 16, 01:02 CET
TychoCelchuuu | May 16, 01:11 CET
Simon | May 16, 01:13 CET
For season 3 they are -- apparently -- looking at changing the formating around a lot, to try to bring an audience back. They kinda have to. I think it'll be an initial 13 episode order, with an option for the remaining - but if it premieres with 1.6 million people again, I doubt the 13 will air.
Right now, it sucks to be a fan.
gossi | May 16, 01:18 CET
jam2 | May 16, 01:24 CET
With the cast staying on the show, I have trouble believing that it becomes sooo bad after the departure of Sorkin (although I reckon he is a genius). And if I read some comments here (Caroline, Palehorse...), some seem to have enjoyed the West Wing without Sorkin.
Do we know why I stoped? A creative choice, lack of audience, or problem with the contracts (aside the death of Spencer)?
Returning to the subject, with Mathew Perry in the new Sorkin project, I have trouble thinking of it as a great thing before having watched it (plus the fact that Whitford seems not to be on the main cast, from imdb). Perhaps I'll change my mind when I'll see him in season 5 of the West Wing (I have just seen that he appears in a few episodes) - although this is a "Sorkin-free" season ;) - but, you know, Perry is one of those who played in Friends, so he'll have to be *really* different for me to be able not to puke when he'll appear on screen.
Le Comité | May 16, 01:35 CET
Simon | May 16, 01:36 CET
Now, considering that I have at least 2.5 more good The West Wing seasons (but 6 and 7 suck?), I can stop looking for the chandelier at least.
Le Comité | May 16, 01:40 CET
Samantha | May 16, 01:47 CET
Back to Studio 60, I'm no fan of Matthew Perry either, but I implicitly trust Sorkin (hey, even Rob Lowe was great as Sam). Bradley Whitford is very much a main character, thanfully (see here).
jam2 | May 16, 01:50 CET
I wondered who that was!!! I had no clue.
Le Comité, I did stop watching soon after Sorkin left. I saw an episode here and there after that, but I did not begin watching again until the end of last season. IMO, the show never got back to Sorkin's level, but Alan Alda and Jimmy Smits added a new spark, and I was truly sorry to see it sign off. And, re: John Spencer, I was so happy that they left him in the credits even after he died. That was a nice gesture for someone who was so central to the success of the show. And he was certainly "present" in the finale.
I would agree with jam2 re: Perry and Lowe in Sorkin's hands. And I am so delighted Whitford is a central character in Studio 60. This is definitely something to look forward to.
palehorse | May 16, 02:47 CET
jam2 | May 16, 02:58 CET
As for why it ended – I think it was just time. A new president was taking over, which made a good ending point. The ratings were far lower than in the show's peak days, and it was no longer the powerhouse it once was. This was the perfect way to let it go out gracefully. There may be other reasons - i'm not particularly well-informed about it. But I certainly felt The West Wing was fully allowed to run its creative course, got lots of appreciation along the way, and was in no way cut short before its time.
As for Studio 60 - Bradley Whitford is indeed a central character from what I can tell. Between Sports Night and the West Wing, I've been blown away by everything Sorkin has done so far, so I'm fully on board with the excitement for this new project, Matthew Perry or no. And he really was pretty good in his West Wing cameo, although it was hardly a pivotal character.
acp | May 16, 03:09 CET
I enjoyed Sports Night and would recommend it, though I am sure I never saw all the episodes of that one either. ;-)
newcj | May 16, 07:42 CET
Having said that, Aaron Sorkin makes Joss Whedon look illiterate. This is not a knock on Joss by any means, but Aaron Sorkin is, quite simply, the god of dialogue and characterization. We all aspire to be like him. *grin*
But that's just me....
krad | May 16, 08:17 CET
To back up your point, though, another genius, Warren Ellis, feels humbled by Sorkin's writing.
On TWOP, someone posted a slightly different quote from Ellis:
Hyperbole is fun!
jam2 | May 16, 08:33 CET
Season 5 is definitely the weakest of the series, but 6 & 7 made the show great again. It was never quite the same as the first four years, but equally as good - just different. The last two years were like a reinvention for the series, something I think it needed. No show can stay stagnant and I don't even think Sorkin could have made a seven-year show in the same mould as the first four years.
Sorkin comes from a different background than most TV writers these days - the theatre. So he is the god of dialogue and characterization, but he often lost site of the big picture and the ongoing arcs (which actually frustrated me in year three). He also wasn't a great one for continuity, but who's perfect? :-)
crossoverman | May 16, 08:43 CET
billz | May 16, 10:13 CET
Samantha | May 16, 10:17 CET
*must stop geeking out over The West Wing now*
Samantha | May 16, 10:21 CET
They are both on a different level to most other writers in film and TV today (though I feel Rob Thomas, David Shore, JJ Abrams, Ron D. Moore, and Ricky Gervaise are right up there as well.)
Andy Dufresne | May 16, 11:32 CET
Having said that, Aaron Sorkin makes Joss Whedon look illiterate. This is not a knock on Joss by any means, but Aaron Sorkin is, quite simply, the god of dialogue and characterization. We all aspire to be like him. *grin*
I must confess I have to agree to this. As said above by others, the strengths of Whedon and Sorkin lie in different aspects, but Sorkin indeed beats Joss in some of these aspects (and is beaten in others as plot arcs and character evolution - i.e. the big picture). Discovering TWW, I am totally in awe by the culture Sorkin has: it seems as, to write the show, he had learned all the laws, all the political behaviors, etc etc...
Le Comité | May 16, 12:15 CET
Buffy/West Wing crossover fanfic! The first part of the trilogy is great fun.
Simon | May 16, 13:25 CET
Le Comité said:
Quite true. I've always loved the way he writes about religion too. For a Jewish man, he has an amazing understanding of Christianity, even Catholicism in particular.
jam2 | May 16, 17:56 CET
Have to disagree here. As implied above, I am a big admirer of Sorkin, but although I love Sorkin's style and dialogue, I have a major problem with it that I do not have with Joss's work. To my ear, all of Sorkin's characters talk alike. The characters do not each have their own voice. The cadences are the same, the verbal ability is the same.
I have told myself it is because it is the intense environments he sets his stories in that cause that and that he writes about very smart people. The thing is, like everyone on this board, I know a lot of very smart people and they all speak differently. Some who have known each other for a long time will riff of each other really well, but all Sorkin's characters riff off each other really well...and in the same way. The dialogue is always beautiful and crisp...for everybody. (And the people on Sport's Night sounded just like the people on West Wing...only they were like, saying different words...)
The relationships between the characters have dimension in Sorkin's work, but they are not as incredibly complex as Joss's. In that Sorkin is dealing with intensly restricting and high-pressure work situations as the focus of his shows, it makes sense that the characters and their relationships would be less transparent to the viewer and narrower in their scope on the show.
So love sorkin's work and love Joss's work. I think that both of them have shown amazing strength in dialogue and characterization that cannot be compared because they use them in different ways for different purposes. When it comes down to it though, I have watched two of Sorkin's shows, but have never even thought of finding a weblog devoted to his work. I will make it a point to watch Sorkin's new show, but I have not been wondering what he has been doing since he left TWW.
...til now. What *has* he been doing in the last few years? Have I missed anything good? ;-)
newcj | May 16, 21:32 CET